My Favorite Music of 2015

Everybody rushes through December to try and get their year-end lists out the door. Sometimes this works, but I feel like it’s problematic because everyone is rushing through their own things to get ready for the holidays and tie up their work before the new year begins, so who really has time to sit and sift through all the lists that come out at the same time? It’s with this three-day weekend to start the year in mind that I had time to reflect on what music I would put to My Favorite Music of 2015 list.

Lists are mostly bullshit to try and sell something, but they’re best when they introduce you to something new that you missed out on. Traditional media outlets will confine their selections for music of the year to songs that were only released that year. Thankfully, this website is not a media outlet, so I don’t have anything like that holding me back. What I’d like to do is just list out some of the songs that came my way through the course of 2015, not all of which were released during the year. I’d recommend checking out all of the tunes, as maybe they’ll be as important to you one day as they have been to me.

The following are my most influential songs of the year, in relative order of when I was first introduced to each with links to the artist’s Spotify page in the title and a song to listen to now following each summary. At the end, I’ll list my top tracks and artists of 2015.

 

The Pack a.d.

There’s something about the raw sound of a guitar/drum duo that is just timeless. Check out this Canadian pair’s killer tracks like Lights, Big Shot, and Haunt You (below):

 

The Joy Formidable

I’m not sure exactly when this band came to fame, but I found them early in the year for their song named “Whirring.” This Welsh trio reminds me a bit of early Muse, with colorful songwriting, rock riffs, and a touch of emotion to every song.

 

Dead Sons

If the Arctic Monkeys continued down the route of their 2009 album, Humbug, in pursuit of a darker tone, you would be left with Dead Sons. A multi-man rock outfit from Sheffield, UK, they recently reformed in late 2015 after one of their primary members returned from touring with Arctic Monkeys. Their 2012 album The Hollers and the Hymns has a depth to it that you can discover a bit more to after each listen.

 

Wolf-Face

I caught these guys opening for Andrew W.K. in early 2015 in St. Pete. Aside from their edgy vocals and solid pop-punk tunes, they are just a fun band to listen to and see live.

 

Bromheads

Hailing from somewhere in the UK, I actually don’t know too much about this band, but I discovered them after looking for sounds similar to Dead Sons. It seems like they intentionally keep information about themselves vague. I like the sound of their vocals and songwriting style enough that they were an important inclusion this year.

 

Not Half Bad

Austin, Texas-based pop-punk guys Not Half Bad seem to take a page right out of blink-182’s book. The standout to me is “Van, Forever,” a track that looks back on times with old friends and praises the ability to let it go and grow forward with a forceful chorus that makes you want to shout. The shame is that during the year, they actually had their van broken into. Their gear was stolen, but the van was in tact, giving even more meaning to the word “Van, Forever.”

 

Diarrhea Planet

It is extremely hard to narrow down what Diarrhea Planet songs I like best. Just know that their actual music dives far deeper than the band name would lead you to. Here, get a taste of two perfect songs that demonstrate the full effect of four guitars in one band. “Platinum Girls” is a youthful song about what you’d feel when you see that girl that’s already taken but you know you’re better, and “Peg Daddy” is a slow-building, layer-upon-layer epic that explodes to let you know what Diarrhea Planet really has to offer. Don’t miss a second of it.

 

Slowride – As I Survive The Suicide Bomber (2002)

If you long for the days of nineties alt-rock, this is the band to revisit the sound with. Check out  “Montana,” “Winter,” and “Sorry For July.”

 

Uncle Acid & The Deadbeats

Think back for a second on what John Lennon’s voice sounded like on Magical Mystery Tour, on a track like “I Am the Walrus.” Now, think about how many drugs The Beatles were on when they made that album and imagine if all of their trips took a dark turn so that they didn’t write about love, but instead made music about the finite time you have on this world and your impending death. That’s Uncle Acid & The Deadbeats in a nutshell, but with a way more colorful sound than I can convey in words. Give “Mind Crawler” a listen and you’ll see what I mean:

 

RDGLDGREEN

One of the biggest surprises of the year, I was introduced to RDGLDGRN at a Foo Fighters show in D.C. on the 4th of July this year. They came out as the first band for a day-long marathon of music with artists representing each city that the Foo Fighters recorded in on their Sonic Highways album. Oddly enough, RDGLDGREEN was one of the influences of the best song on that album, “The Feast and the Famine.” Hailing from D.C., RDGLDGREEN blends hip hop and rock in a refreshing way not seen since the likes of the Stankonia-era Outkast, but a little on the lighter side. Their energetic live performance gripped me in, and their fun anthems with respect to their roots have kept me there. Below, check them out in the aforementioned Foo Fighters track, “Lootin’ In London,” and one of their new releases, “Runnin’ Away.”

 

The Autonomics

I’ve already used the word “colorful” to describe some of the music in this post, but if I could only use it once, it would be for The Autonomics.  A trio from Portland, the band’s color is evident even in the cover of their mostly-rock style album, Trust Your Instincts. The Autonomics know when to bang it out and when to slow it down. I recommend the entire album.

 

Meat Wave

When you want some loud underground rock, look no further than Meat Wave. Smooth vocals that blend with a full range of guitar, a steady bass, and thumping drums, Meat Wave had a 2015 full of releases. Check out “Cosmic Zoo” and “Brother” below:

 

Yeezer

I don’t care what your thoughts are on whether Weezer’s best album is Blue Album or Pinkerton, and I certainly don’t care about what you think about Kanye West; the man is considered to be a jackass by many, but has put out the defining hip hop albums of the past decade. Take the two artists’ best and most recognizable works and mash them together and you’d get Yeezer, a mash-up by college sophomore Alex Hodowanec. Don’t miss “The Buddy Holly Workout Plan.”

https://www.youtube.com/watch?v=elU91tTWhFg

 

The Spinners

This one kind of came out of nowhere, but The Spinners had some defining tunes for me in 2015, most notably “It’s A Shame” and “The Rubberband Man.”

https://www.youtube.com/watch?v=DE0EOIqwiQI

https://www.youtube.com/watch?v=BNNpk6uIT00

 

The Jackson 5 – I Want You Back

By this point in time, there’s not much that’s been unsaid about The Jackson 5. There’s just something about this track that makes you get up and shake it, even though the subject matter is kind of sad. I suppose that’s one of the song’s endearing features- everybody has somebody that they want back, which keeps you coming back to this song.

 

Most-Played Track of the Year: J.D. McPherson – Let The Good Times Roll

I caught JD and his band on Halloween in 2014 at a Queens of the Stone Age show, at which point I hardly knew a thing about them. They played a great set, and when they started this song, I was instantly lost in it before the first verse started. It took me months to find out what the song was, because it wasn’t even released yet. I finally found it when they started teasing their album of the same name during the first quarter of the year. Modern and classic at the same time, this song bestows a sense of calm, fun, and optimism for the future all at once. This was my most-played song of the year, because every time I listen to it, I’m still taken to another time and place.

 

Song of the Year: “Kangaroo Pocket” by Rozwell Kid

Oftentimes, the best memories are the kind where you don’t remember exactly how they started. you may not remember exactly how you met your best friend, your spouse, or had the defining moment of your life because the whole experience stays with you. That’s how my exposure to Rozwell Kid was in 2015: I don’t know how I first heard them and I’m not sure which song I heard first, but I know that they’ve been my favorite song to put on.

Rozwell Kid sounds like they took a lesson from Weezer’s “How to Write Songs that Are Catchy As Hell” autobiography. I’ve seen them get described as rock, pop-rock, slacker-rock, and just about anything related to rock. They do remind me of an early Weezer, except with less emotional lyrics. Instead, Rozwell Kid opts to sing about something we all know and love, hummus.

My highlight track is “Kangaroo Pocket,” a jam with shredding guitar solos, catchy hooks, a poppy chorus, and easy lyrics. The basslines are layered perfectly with the rest of the instruments to have life of their own as opposed to following along in the same steps as the guitar, which is a characteristic that, as a bass player, I love hearing. The drums are present without being overbearing, and you know when they’re about to kick in and pump out the part that you can’t wait to come. I got lucky and was able to see Rozwell Kid this year, which capped of a great year of new discoveries and a return of old favorites.

For reference, check out the rest of their work on Spotify:

 

Artist of the Year: JEFF The Brotherhood

There’s something so uniquely intriguing about JEFF The Brotherhood’s sound. It’s rock music, it’s chill music, it’s brand new yet so familiar, it’s something that I can listen to while studying or while working out. When I was initially thinking about who my Artist of the Year would be, they weren’t even on the radar. It was after seeing Spotify’s Year In Music feature that made me recognize they were the artist I played the most on the year. They put out two albums in 2015, which followed an awesome cover album in 2014 called Dig the Classics. A few samples of some of my favorite works follow. If you’re looking for a great album that you can turn on any time, check out 2012’s Hypnotic Nights.

 

There were so many songs and artists that made an impact on me this year. Going back through my music library was a real treat, and this post was a ton of fun to write, so I sincerely hope that you find something new that you like from it.

(Honorable mentions go to the following artists that came with me on my musical journey in 2015: Aloe Blacc, Andrew W.K., Beck, blink-182’s  Take Off Your Pants and Jacket, Death from Above 1979, Eagles of Death Metal, Foo Fighters, Interpol, Joyce Manor, Marvin Gaye, Mini Mansions, Queens of the Stone Age, Royal Blood, Wavves, and The Whigs.)

Rediscoveries

Sometimes, you miss an album when it first comes out. I don’t know what I was doing in 2001, but that’s when blink-182’s Take Off Your Pants and Jacket was released. Between Enema of the State and 2003’s eponymous blink-182, I fell off the pop punk wagon. I’m kind of disappointed that I didn’t enjoy Take Off when it was at it’s peak, but it absolutely makes for a solid listen now.

It came back to me a few weeks ago, when the song “Please Take Me Home” came up on my car’s iPod during shuffle play. Just by chance, this song hit me. It was one of those times in life where something had just happened that fell apart after seemingly going very well, and as soon as I heard the first lyric, “Oh no it happened again,” I tried not to listen too closely, but it sucked me in.

Regardless of the situation that brought me to the album, I’m really glad it did. Everybody knows the hits “First Date” and “Rock Show,” but any of the songs up and down the album could have ben radio hits back in their day. Ironically, “Please Take Me Home,” the song I heard first, is the fiinal song on the album. This is the last of three that give the album an emotional weight following “Give Me One Good Reason” and “Shut Up,” my two other favorite tracks off the record.

I don’t want to ramble about how much I’m enjoying the album over the past few weeks, but would rather ask: Have you ever discovered an album long after it came out? What was it, and how did it come about?

For your listening pleasure, here’s the full Take Off Your Pants and Jacket album with bonus content. Enjoy:

https://www.youtube.com/watch?v=Ar07ZeIZO1U

Eliott vs. Riot Fest

You’ve heard of Lollapalooza, Coachella, and Bonnaroo. You may have even been to a concert or two yourself. Good for you!

However, I can guarantee you that you have never experienced anything quite like Riot Fest.

Look at this lineup. Look at it! It’s got something for everybody! YOU CANNOT BE DISAPPOINTED.

“Fuck,” I said upon seeing the lineup. “That’s a shitload of bands.”

So what’s a guy to do? Assemble his crew and get his ass to Chicago, that’s what.

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Check out this hardcore group of punk rockers.

A lineup like this takes preparation; you have to know what bands you have to see, and which ones you’re going to cut, depending on overlap in the schedule. Once you and your group know when you’re going to be together and when you’re going to split up, you need to make sure you know your way around from stage to stage. For that, I must thank the festival organizers for putting together this simple map:

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Looks simple enough, right? Nice and easy with paths clear as day, with the stages clearly labeled, giving you an understanding of EXACTLY where you need to go. Unfortunately, here’s the reality:

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Now imagine three days in a row of this. Once you’ve done that, accept that your clothes are fucked, embrace the mud, and focus on the lineup, we’ve got ourselves some shows to see.

First up? Black Joe Lewis & The Honeybears. What a treat. He’s like Hendrix and James Brown put together. And the band? A+.

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Friday, for me, was all about the small bands. The Offspring ended up being a huge disappointment (and every time I tell people that, they say, very sarcastically, “The Offspring? No way!”), which I opted to see instead of The Murder City Devils. Stupid decision, I know. Despite that, everything was balanced out by the fantastic Baby Baby from Atlanta. When the lineup was first announced, I put together a playlist of all the artists on Spotify, and after a couple of plays, I put Baby Baby near the top of the “Can’t Miss” list. They’re just such a fun band, which is evident in their music. They clearly embrace the colorful side of rock and punk, and quickly became a favorite party band. With much luck, the schedule was in my favor, and I went to see Baby Baby, front and center.

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On Day 2, the fun continued with Californian rockers Wavves, immediately followed by Chicago-bred The Orwells. Wavves played to my expectations, rocking out on a few hits like “Demon To Lean On,” “Green Eyes,” and “King Of The Beach.” The Orwells, on the other hand, completely blew me away. Despite their age (they just graduated from high school in Elmhurst last year), they all seem like they were born to rock. Their frontman was especially energetic, at one point screaming “LET’S TEAR UP THESE VOCAL CHORDS!” Besides making me headbang and jump, even to a quick cover of “Build Me Up Buttercup,” they also made me laugh harder than I ever did at a show. There was a point where the frontman literally rolled off the front of the stage, and in the very next motion, rolled right back on to the stage floor from the muddy ground. It didn’t seem to bother him or anybody else, but from where I was standing, he made me crack up. Later, he jumped in the crowd with his mic and let them finish off their set.

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Wavves

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Wavves frontman, Nathan Williams

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The Orwells

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The Orwells frontman, Mario Cuomo

Saturday had a few headliners, including Wu-Tang Clan and The Flaming Lips, but you can probably read all about them elsewhere. One thing to note? Wayne Coyne’s Mushrooms:

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Sunday, the third day of Riot Fest, turned out to be the best of all. It was finally time to see what the non-music ride of Riot Fest was about: the carnival rides.

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There she blows. The Gravitron, the fabled ride from my childhood dreams. Only one time did I ever ride the Gravitron, and never did I see it again. I thought it was a myth, a mirage, a figment of my imagination. As it turns out, Riot Fest had one! My buddy, Austin, and I gave it a spin. We were not disappointed- we had the whole ride to ourselves and, pinned against the walls, crawled around the sides as much as gravity allowed.

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My highlight for the day was seeing Lifetime Achievement in Partying Award Winner Andrew W.K. in the front row. After walking into his show when it was already in progress at the first day of Riot Fest 2013, I was bewildered with their sound and energy. For the next year, I prepared myself to be a part of that roaring crowd to party like I never did before. Armed with my friends and family at my sides, we braved the swarm of crowdsurfers coming in at our heads to party with the best of them.

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Andrew W.K.'s crowd going nuts behind us

Andrew W.K.’s crowd going nuts behind us

The rest of the afternoon had a ton of highlights, but nothing stood out to me as much as Showyousuck. My friend, Jake, and I met to see the Chicago-based rapper, whom I had heard beforehand and got a kick out of his humorous lyrics and video game references. When he came out, though, he was more like Odd Future and less like the smooth and catchy beats I had heard in his studio albums. That isn’t to say I had a bad time, though, because it was quite the opposite. Showyousuck was, without a doubt, the happiest person at Riot Fest. He came on stage and cranked out a few hits, then took the time to express his gratitude to the crowd and exclaimed “I can’t believe I’m playing Riot Fest!” He credited past Riot Fest headliners as his influences, like Iggy Pop and Elvis Costello. After, he did something I’ve never seen a rapper do: bust out Journey’s “Don’t Stop Believing.”

It was hilarious and humble at the same time. Showyousuck wanted the crowd, more than anything, to know that if he could reach his dreams (“DREAMS!!!”), then we could, too. It was a great after school message in a place where you wouldn’t expect it. I wish him the best.

EDIT: Here’s a great video of his set. 

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This is the face of humility, joy, and gratitude. This is Showyousuck.

Sunday night was highlighted by Weezer playing the Blue Album, which was amazing, but I have no great media of it because I spent the first half of the show backstage and eventually got kicked out, haha.

I would like to close this post by stating that it doesn’t take much to make someone’s day. I wrote to Baby Baby after Riot Fest was over on their Facebook page, just letting them know how much I enjoyed their performance. We went back and forth for a bit, and they later highlighted the post and thanked me for it.

Baby Baby Post

In the end, Riot Fest is that kind of festival- one where you don’t know who you’ll run into, like Brian Bell of Weezer or Andrew W.K.’s band or a girl you hardly know that you’re faking a proposal to in order to get backstage. A festival where some of the hardest-looking punk rockers you’ll ever see are some of the most kind-hearted. A festival where the bands are as happy to play for you as you are to see them. Finally, it’s a festival where you grab your family and friends at to make new memories to fondly look back on as you await Riot Fest next year.

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See you in 2015, Riot Fest.

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